Won Seok Wonka and the Krazee Kimchi Factory

Standard

I remember that time. It still exists in my head, kept well, the memory’s shelves dusted and lawn trimmed. Everything was bizarre. Fan death, the idea that an oscillating fan could steal your breath and kill you in your sleep. Double eyelid tape, butt pads, skin whitener. Ordering a live octopus and having it cut up with scissors, then chewing up the severed tentacles as they wiggled around like inchworms. Hooker karaoke, intestine soup, black goat tonic. Men who looked prettier than some of the girls I’ve dated, and women who wore super short miniskirts in snowstorms. Rice wine, soju, neon lights and vomit on the street. Electronic music – Fantastic Baby! – and schools that required students to bring their own toilet paper.

This was the Korea I stepped in to. One second I was on a plane, listening to Boston’s Greatest Hits (favorite track: Peace of Mind), the next minute I was in some anime dream sequence, like I’d pulled a golden ticket and was shipped off to Won Seok Wonka’s Krazee Kimchi Factory. If an orange-faced-green-haired midget approached me in a bar two weeks after I’d gotten to Korea, I don’t know that I would’ve batted an eye.

“Oompa Gangnam Style!” the Korean Oompa Loompa would have shouted, and I would’ve just nodded and gone with it. The place was fun and freaky. They buried live pigs and ate dogs, got surgical procedures to increase the slope of their forehead and committed copy-cat-suicide if a favorite celebrity took his or her own life.

But lately, shit just ain’t the same. I walk around a Korea that hasn’t changed one bit since I arrived here over two years ago. It’s drab, depressing. Things like rampant alcoholism, which seemed real rock ‘n’ roll when I got here, now seems sad. Like it’s not a good thing. Even all the beautiful girls bum me out. They’re doll-like, manufactured, assembly line. The neon lights don’t seem so bright anymore. It rains a lot and nobody looks at each other on the subway.

Two years might do that to a place. Korea, it seems, has lost its weird appeal. The place seems downright normal. We’ve spent lots of time together and I’ve seen it without its make-up.

*

Every now and then I go to the bank and wire money back to the USA. My girlfriend asks me why I do this. It’s actually not a bad question. “Well,” I’ll say, “that’s my main bank account. I’m sending money home.”

Home. The use of the phrase is a turn-off, like how most women react to the dreaded c-word. She makes a good argument. I haven’t been to the US in over two years, and I don’t plan to return any time soon. I don’t have anything there, no house or home or friend’s basement where my record collection and blow up doll have been keeping each other company for the past 800 days. Nothing’s waiting for me, with the exception of some bill collectors, and I’m in no hurry to finally meet them.

The thing is, I try to tell her, I have to have someplace to belong to. I don’t want to think of myself as transient, nomadic, a man with no home like Marco Polo or Woody Guthrie. And it feels funny to refer to the US as something other than “home.” It’s sort of similar to when I was 19 and living in an apartment with four of my friends. On Sunday mornings, I’d jump in my car and tell them I had to go “home,” and when I said that, I meant my parents’ house. The apartment was temporary. I still had a room dedicated to my existence at my parents’ house, and as long as that room was still there, not being used as a library or a shrine to the Buffalo Bills, then God damnit that was the place I’d call home. Sure felt more like it then the mattress on the floor I slept on in the apartment.

But the room in my parents’ house eventually let go of me – I was replaced by a new computer.  It seems like my American bank account is the new version of the room I grew up in. It’s what makes the US still my home. My parents kept my Elvis Costello poster and my suit, the only one I owned, a blue ensemble that I would call on once or twice a year, and the bank account keeps all my money for me.

It’s about the same, just slightly less sentimental.

*

I’ll never call Korea “home.” I could live here for the next 20 years (which is a ridiculous notion – I’ll never live that long) and I still wouldn’t feel like anything other than a tourist. Which, after some thinking, I’ve decided is mostly by my own choosing.

For all my plans to avoid the US, I still know what’s going on there. I read Huffington Post and other similarly slanted news sites daily and make too many political posts on Facebook. I watch the Oscar movies every year. I know what’s on the Billboard charts and get nervous when bad storms hit New York. In short, I still care about what’s happening in the USA. I’m interested.

And Korea? As groovy as the place is, I just don’t care that much about what happens here. The presidential election is this month, and I have no idea who’s running. I don’t even know what the issues might be. I don’t study the language and I avoid the entertainment like it’ll give me angina. I’m bored with hearing about the culture. I have no clue as to what’s happening in the news. Why? Because, bottom line, I don’t give a shit.

Home might be where the heart is, but it’s also where the head is. Wait, let’s change that – it sounds dirty. Home is also where one’s interest is. You would think, logically, that when the weirdness wears off a place, when things stop being polite and start getting real, that it would be a signal you’ve found a place to call home. But it doesn’t always work that way.

There’s a different feeling after the novelty is gone, I guess. I might not have a home, but I’m not really lost. This place, conversely, has lost me.

*